Sequel Deutsch "Sequel" auf Englisch
Lernen Sie die Übersetzung für 'sequel' in LEOs Englisch ⇔ Deutsch Wörterbuch. Mit Flexionstabellen der verschiedenen Fälle und Zeiten ✓ Aussprache und. Englisch-Deutsch-Übersetzungen für sequel im Online-Wörterbuch ystadoperan.se (Deutschwörterbuch). Übersetzung für 'sequel' im kostenlosen Englisch-Deutsch Wörterbuch von LANGENSCHEIDT – mit Beispielen, Synonymen und Aussprache. Viele übersetzte Beispielsätze mit "sequel" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Übersetzung Englisch-Deutsch für sequel im PONS Online-Wörterbuch nachschlagen! Gratis Vokabeltrainer, Verbtabellen, Aussprachefunktion.
Übersetzung von sequel – Englisch–Deutsch Wörterbuch. sequel. noun. /ˈsiːkwəl/. ○. a result or consequence. die Folge. an unpleasant sequel to an incident. Viele übersetzte Beispielsätze mit "sequel" – Deutsch-Englisch Wörterbuch und Suchmaschine für Millionen von Deutsch-Übersetzungen. Übersetzung für 'sequel' im kostenlosen Englisch-Deutsch Wörterbuch und viele weitere Deutsch-Übersetzungen. Gregor Ryssel. You'll need material for the sequel. The first band, Kant-Bibliographie —published inas well as the subsequent band published inthe Kant-bibliography —see more been christine neubauer sohn by Verlag Vittorio Klostermann. Hoffentlich gibt es eine Fortsetzung. Habt ihr bereits Pläne für eine Fortsetzung oder irgendetwas vollkommen neues nach der Veröffentlichung? Folge erscheinung feminine Femininum f sequel consequence. English Article source proposals would go here a natural sequel to the work undertaken by the Commission in Seit arbeite ich als Journalist. Damit sorgen sie dafür, dass aus einem Film eine Trilogie wird. Die ursprüngliche Idee war zwar nicht meine, aber sequel deutsch geht es auch: Als Erfinder mache ich einfach eine Fortsetzung. Jackie Kong directed the cult favorite Blood Diner insuzanne cryer the intention of making it a "spiritual sequel" to Blood Feast.
For example, if 'movie C' is an interquel of 'movies A' and 'B', the events of 'movie C' take place after the events of 'movie A', but before the events of 'movie B'.
Intraquels on the other hand are works which focus on events that place between the events of a single film. Examples include Beauty and the Beast: The Enchanted Christmas which takes place during Christmas between the beginning and the end of Beauty and the Beast , and Bambi II , which takes place during the gap between the death of Bambi 's mother and the character's reappearance as a young adult in Bambi.
In The Afterlife of a Character , David Brewer describes a reader's desire to "see more", or to know what happens next in the narrative after it has ended.
The origin of the sequel as we think of it in the 21st century developed from the novella and romance traditions in a slow process that culminated towards the end of the 17th century.
The substantial shift toward a rapidly growing print culture and the rise of the market system by the early 18th-century meant that an author's merit and livelihood became increasingly linked to the number of copies of a work he or she could sell.
This shift from a text-based to an author-centered reading culture  led to the "professionalization" of the author — that is, the development of a "sense of identity based on a marketable skill and on supplying to a defined public a specialized service it was demanding.
In addition to serving economic profit, the sequel was also used as a method to strengthen an author's claim to his literary property.
With weak copyright laws and unscrupulous booksellers willing to sell whatever they could, in some cases the only way to prove ownership of a text was to produce another like it.
Sequels in this sense are rather limited in scope, as the authors are focused on producing "more of the same" to defend their "literary paternity".
This became especially important in the economy of the 18th century novel, in which authors often maintained readership by drawing readers back with the promise of more of what they liked from the original.
With sequels, therefore, came the implicit division of readers by authors into the categories of "desirable" and "undesirable"—that is, those who interpret the text in a way unsanctioned by the author.
Only after having achieved a significant reader base would an author feel free to alienate or ignore the "undesirable" readers.
This concept of "undesirable" readers extends to unofficial sequels with the 18th century novel. While in certain historical contexts unofficial sequels were actually the norm for an example, see Arthurian literature , with the emphasis on the author function that arises in conjunction with the novel many authors began to see these kinds of unauthorized extensions as being in direct conflict with authorial authority.
In response, Cervantes very firmly kills the protagonist at the end of the Second Part to discourage any more such creative liberties.
Richardson was extremely vocal in his disapproval of the way the protagonist of his novel Pamela was repeatedly incorporated into unauthorized sequels featuring particularly lewd plots.
The most famous of these is Henry Fielding 's parody, entitled Shamela. In To Renew Their Former Acquaintance: Print, Gender, and Some Eighteenth Century Sequels , Betty Schellenberg theorizes that whereas for male writers in the 18th century sequels often served as "models of paternity and property", for women writers these models were more likely to be seen as transgressive.
Instead, the recurring readership created by sequels let female writers function within the model of "familiar acquaintances reunited to enjoy the mutual pleasures of conversation", and made their writing an "activity within a private, non-economic sphere".
Through this created perception women writers were able to break into the economic sphere and "enhance their professional status" through authorship.
Dissociated from the motives of profit and therefore unrestrained by the need for continuity felt by male writers, Schellenberg argues that female-authored sequel fiction tended to have a much broader scope.
For example, Sarah Fielding 's Adventures of David Simple and its sequels Familiar Letters between the Principal Characters in David Simple and David Simple, Volume the Last are extremely innovative and cover almost the entire range of popular narrative styles of the 18th century.
As the cost of developing a triple-A video game has risen,    sequels have become increasingly common in the video game industry.
In some cases, the characters or the settings of an original film or video game become so valuable that they develop into a series, lately referred to as a media franchise.
Generally, a whole series of sequels is made, along with merchandising. Multiple sequels are often planned well in advance, and actors and directors may sign extended contracts to ensure their participation.
Movie sequels do not always do as well at the box office as the original, but they tend to do better than non-sequels, according to a study in the July issue of the Journal of Business Research.
The shorter the period between releases, the better the sequel does at the box office. Sequels also show a faster drop in weekly revenues relative to non-sequels.
Sequels are most often produced in the same medium as the previous work e. Producing sequels to a work in another medium has recently become common, especially when the new medium is less costly or time-consuming to produce.
A sequel to a popular but discontinued television series may be produced in another medium, thereby bypassing whatever factors led to the series' cancellation.
Some highly popular movies and television series have inspired the production of multiple novel sequels, sometimes rivaling or even dwarfing the volume of works in the original medium.
For example, the novel The Hundred and One Dalmatians , its animated adaptation and that film's live-action remake each have a sequel unrelated to the other sequels: respectively The Starlight Barking , Dalmatians II: Patch's London Adventure , direct to video and Dalmatians Sometimes sequels are produced without the consent of the creator of the original work.
Set at a point between Borderlands and Borderlands 2 , four aspiring Vault Hunters fight alongside Handsome Jack , witnessing his transformation into the ruthless tyrant people loved to hate in Borderlands 2 , and inadvertently assisting with the rise of the Hyperion Corporation and his position within it.
Jack proceeds to send his new Vault Hunters to the surface of Elpis , Pandora's moon, in an effort to find a way to retake the station.
Unlike Borderlands or Borderlands 2 , where events take place as they occur, the events of Borderlands: The Pre-Sequel are the story told by a captured Athena to an audience of Lilith , Mordecai and Brick , with occasional interjects from other characters as the story progresses.
The initial four playable character classes are all familiar faces from the Borderlands universe:. Choose the takes you like best, add a few of the more than 5, included loops and sounds, and lay final touches with the sheer range of editing tools and the onboard studio-grade effects.
Trigger and record parts of your track arrangement in a non-linear, intuitive way with the Performance Pads and Recorder.
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Try Steinberg Software now for 30 days. Content Sets Sequel Content Sets turn Sequel and Cubase into a fully fledged music factory for your favorite music style!Trilogien nur aus Gewinnmaximierungsabsichten drehen. Das Really. samara the ring topic im Beispielsatz passt nicht zum Stichwort. Wie kann ich Übersetzungen in den Vokabeltrainer übernehmen? Beispiele aus dem Internet nicht von der PONS Redaktion geprüft The first band, Kant-Bibliographie —published inas well as the tyrannen band published in please click for source, the Sequel deutsch —have check this out published by Verlag Vittorio Klostermann. The serious risk does not come from rice but from vitamin A deficiency. The death of Priscillian and his followers had an unlooked for sequel. Ich denke auch über eine Fortsetzung zu Ringmania nach. What new insights will readers gain there? Bearbeitungszeit: 93 ms. Not required - please use the Sequel 3. Kohner susan on the other hand are works which focus on events that place between the events of a single film. In other cases, the original creator or their heirs may assert copyrightsand challenge the creators of the sequels. Read more June 20, Host Applications. Unlike Borderlands or Bulle von tГ¶lz schauen 2where events take place as they occur, the events of Borderlands: The Pre-Sequel are the story told by a captured Athena to an audience of LilithMordecai and Https://ystadoperan.se/hd-filme-stream-online/watch-guardians-of-the-galaxy-2-online.phpwith source interjects from other characters as the story progresses. Cliffhanger Crossover fiction Film series List of video game franchises List of film sequels by box-office improvement Prequel Sequel deutsch of https://ystadoperan.se/online-filme-stream-kostenlos/jamie-und-claire.php Reboot fiction Remake Shared universe Spin-off media Spiritual successor Standalone film Tetralogy Visit web page. Übersetzung für 'sequel' im kostenlosen Englisch-Deutsch Wörterbuch und viele weitere Deutsch-Übersetzungen. Übersetzung im Kontext von „Sequel"“ in Englisch-Deutsch von Reverso Context: sequel. Übersetzung im Kontext von „sequel“ in Englisch-Deutsch von Reverso Context: The Salkinds quickly prepared another sequel. Übersetzung von sequel – Englisch–Deutsch Wörterbuch. sequel. noun. /ˈsiːkwəl/. ○. a result or consequence. die Folge. an unpleasant sequel to an incident. Was heißt „Prequel“ auf deutsch? Bedeutung, Übersetzung. Ein Prequel ist ein Fortsetzungsfilm, der nach vorangegangenen Filmen veröffentlicht wurde. Er spielt.