Rekha

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Rekha ist eine indische Filmschauspielerin. Rekha (Tamil ரேகா Rekā; Hindi रेखा Rekhā; eigentlich Bhanurekha; * Oktober in Madras, Madras) ist eine indische Filmschauspielerin. Rekha kommt aus der gesellschaftlichen Mittelschicht und lebt mit ihrer verwitweten Mutter. Als Rekha fünf Jahre alt ist, stirbt Nalini, eine Freundin ihrer Mutter. Online-Shopping mit großer Auswahl im REKHA Shop. - Rekha sizzled in this screen-adaptation of the book, Umraao Jaan Ada, based on the life of a courtesan from Lucknow.

rekha

Rekha (Tamil ரேகா Rekā; Hindi रेखा Rekhā; eigentlich Bhanurekha; * Oktober in Madras, Madras) ist eine indische Filmschauspielerin. The book tells how Rekha overcame several odds to become one of the greatest actresses of Indian cinema. Rekha ist eine indische Filmschauspielerin.

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Coronavirus vaccine roundup: From imperial college human trials to treatment, here are all the fresh updates around COVID Bhanurekha Ganesan, better known by her stage name Rekha, is an Indian film actress.

Noted for her versatility and acknowledged as one of the finest actresses in Hindi cinema, Rekha started her career in as a child actress in the Telugu film Rangula Ratnam, though her film debut as a lead happened four years later with Sawan Bhadon.

Rekha has acted in over films in a career spanning over 40 years. Throughout her career, she has often played strong female characters and, apart from mainstream cinema, appeared in parallel cinema also.

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Add it to your IMDbPage. How Much Have You Seen? How much of Rekha's work have you seen? Known For. Mil Gaya Sonia Mehra.

Umrao Jaan Amiran. Khiladiyon Ka Khiladi Maya. Love Unites Amrit Kaur. Shrivastav Censor Board Member.

Radha Gupta. Asha Sharma. Natwarlal Shanno. Asha Singh. Self - Guest. Related Videos. I should be in school, having an ice-cream, fun with my friends, why am I even forced to work, deprived of normal things that a child should be doing at my age?

Costume jewellery would give me an absolute terrible allergy. Hair spray wouldn't go off for days even despite all my washing.

I was pushed, literally dragged from one studio to another. A terrible thing to do to a year-old child. D opposite Rajkumar in She later claimed that she was tricked into a kissing scene with the leading actor Biswajit for the overseas market, [17] [18] and the kiss made it to the Asian edition of Life magazine.

She had to learn Hindi , as that was not her naturally spoken language. Critics complimented her confidence and comic timing in the film, but made remarks about her weight.

Rekha recalls that the way she was perceived at that time motivated her to change her appearance and improve her choice of roles: "I was called the 'Ugly Duckling' of Hindi films because of my dark complexion and South Indian features.

I used to feel deeply hurt when people compared me with the leading heroines of the time and said I was no match for them. I was determined to make it big on sheer merit.

She started paying attention to her make-up, dress sense, and worked to improve her acting technique and perfect her Hindi-language skills.

To lose weight, she followed a nutritious diet, led a regular, disciplined life, and practised yoga, later recording albums to promote physical fitness.

According to Khalid Mohamed, "The audience was floored when there was a swift change in her screen personality, as well as her style of acting.

Her most significant turning point, however, came in , with her portrayal of a rape victim in the movie Ghar.

She played the role of Aarti, a newly married woman who gets gravely traumatised after being gang-raped. The film follows her character's struggle and recuperation with the help of her loving husband, played by Vinod Mehra.

The film was considered her first notable milestone, [14] and her performance was applauded by both critics and audiences.

Her archetypal jubilance was replaced by her very realistic portrayal In that same year, she attained fame with Muqaddar Ka Sikandar , in which she co-starred once again with Amitabh Bachchan.

In , Rekha appeared in the comedy Khubsoorat , directed by Hrishikesh Mukherjee , with whom she had developed a strong father-daughter bond during their previous collaborations.

In a role written specially for her, she played Manju Dayal, a young vivacious woman who visits her recently married sister at her in-law's house and tries to bring joy to the wide family, much to the displeasure of the matriarch of the household.

The Tribune described the film as "a lively comedy," noting that "Rekha's spunky performance gives the film its natural zing. Smoothly, successfully.

From a plump, pelvis-jerking, cleavage-flashing temptress, she has metamorphosed into a sleek, accomplished actress.

Gone are most of the inane mannerisms, pouts, wiggles and giggles. Rekha starred opposite Bachchan in a number of films, most of which were hits.

She also had an alleged love affair with him, which was widely reported on in the media, as well as sharply criticised, as he was a married man.

This was their last film together. Critics noted Rekha for having worked hard to perfect her Hindi and acting, and media reporters often discussed how she had transformed herself from a "plump" duckling to a "swan" in the early s.

Rekha's credits to this transformation were yoga , a nutritious diet, and a regular, disciplined life.

In , her diet and yoga practice were published in a book called "Rekha's Mind and Body Temple". Rekha played the title role of a courtesan and poet from 19th century Lucknow.

The film follows Umrao's life story right from her days as a young girl named Amiran when she is kidnapped and sold in a brothel to her later position as a popular courtesan seeking happiness amid love affairs and other tribulations.

Rekha once confessed, "After reading the script, I had a strange feeling that I had Umrao in me. Her portrayal is considered to be one of her career-best performances, and she was awarded the National Film Award for Best Actress for it.

In that same year, Rekha starred in Ramesh Talwar 's family drama Baseraa , which saw her playing a woman who marries her sister's husband, after the latter loses her mental balance.

She appeared as Sadhna in the commercially successful Ek Hi Bhool , opposite Jeetendra , playing the role of a betrayed wife who leaves her husband.

In , she received another Filmfare nomination for Jeevan Dhaara , in which she played a young unmarried woman who is the sole breadwinner of her extended family.

In , she took the supporting role of a lawyer in Mujhe Insaaf Chahiye , garnering another Filmfare nomination in the Supporting Actress category.

During this period, Rekha was willing to expand her range beyond what she was given in mainstream films.

She started working in arthouse pictures with independent directors, mostly under Shashi Kapoor 's production, in what was used to be referred to as parallel cinema , an Indian New Wave movement known for its serious content and neo-realism.

Her venture into this particular genre started off with Umrao Jaan , and was followed by other such films as Shyam Benegal 's award-winning drama, Kalyug , Govind Nihalani 's Vijeta , Girish Karnad 's Utsav and Gulzar 's Ijaazat , among others.

Benegal's Kalyug is a modern-day adaptation of the Indian mythological epic Mahabharat , depicted as an archetypal-conflict between rival business houses.

Rekha's role was that of Supriya, a character based on Draupadi. Benegal said he decided to cast her in the role after seeing her work in Khubsoorat , besides noticing that she was "very keen, very serious about her profession".

In Vijeta she played a woman who struggles through her marital problems and tries to support her adolescent son, who, undecided about his future plans, eventually decides to join the Indian Air Force.

Maithili Rao wrote for "Encyclopaedia of Hindi Cinema", "Rekha — forever the first choice for the courtesan's role, be it ancient Hindu India or 19th-century Muslim Lucknow — is all statuesque sensuality Apart from parallel cinema, Rekha took on other increasingly serious, even adventurous roles; she was among the early actresses to play lead roles in heroine-oriented films, the first of which was Khoon Bhari Maang in Rekha went on to describe Khoon Bhari Maang as "the first and only film I concentrated and understood all throughout.

In the first half as the shy and not so sexy Aarti she is excellent and after the plastic surgery as the model and femme fatale she is excellent too.

Some scenes show that we are watching an actress of a very high calibre here. Dhawan from The Tribune , while documenting the famous Hindi films of , remarked that Khoon Bhari Maang was "a crowning glory for Rekha, who rose like a phoenix In later interviews, Rekha often described the moment she received the Filmfare Award for this role as a turning point, explaining that only then did she start genuinely enjoying her work and seeing it as more than "just a job": " Boom, it hit me!

That's the first time I realised the value of being an actor and how much this profession meant to me.

The s saw a drop in Rekha's success. Few of her films were successful and many of her roles were condemned by reviewers.

Critics did note, however, that unlike most of the actresses of her generation, like Hema Malini and Raakhee , who succumbed to playing character parts, typically of mothers and aunts, Rekha was still playing leading roles at a time when younger female stars rose to fame.

Still recovering from the recent suicide of her husband and struggling with the ensuing press antagonism towards her, Rekha retained considerable success with her starring role as Namrata Singh, a young woman who joins the police force to avenge her husband's death in K.

Bokadia 's Phool Bane Angaray The film was a box-office hit and Rekha received a Best Actress nomination at Filmfare for her work, in reference to which Subhash K.

Jha remarked, "Khaki never seemed sexier". These included her next film Insaaf Ki Devi , and later films such as Ab Insaf Hoga and Udaan , all of which were major duds.

Halfway through the decade, Rekha managed to halt her decline when she accepted several highly-controversial films, including Kama Sutra: A Tale of Love and Khiladiyon Ka Khiladi Kama Sutra , a foreign production directed by Mira Nair , was an erotic drama, and many felt her role of a Kama Sutra teacher in the film would damage her career.

Todd McCarthy of Variety described her as "exquisitely composed" in the part. In spite of the positive response to her performance from both fans and critics, she maintained on more than one occasion that she did not like herself in the film, noting that her work was not up to her own, personal standards.

Another controversial film at that time was Aastha: In the Prison of Spring , where Basu Bhattacharya , making the last film of his career, cast her as a housewife who moonlights as a prostitute.

While her performance earned her positive notices and a Star Screen Award nomination, she was criticised by the audience for the nature of the part, to which she later replied, " I don't have problems playing anything.

I've reached a stage where I could do justice to any role that came my way. It could be role of a mother, a sister-in-law; negative, positive, sensational or anything.

In the s, Rekha appeared in relatively few movies. She started the decade with Bulandi , directed by Rama Rao Tatineni.

In , Rekha appeared in Rajkumar Santoshi 's feminist drama Lajja , an ensemble piece inspired by a true incident of a woman being raped in Bawanipur two years before.

Rekha was the protagonist of the final chapter, around which the film's inspiration revolves, playing Ramdulari, an oppressed Dalit village woman and social activist who becomes a victim of gangrape.

Speaking of the film, Rekha commented, "I am Lajja and Lajja is me". Taran Adarsh wrote that "it is Rekha who walks away with the glory, delivering one of the finest performances the Indian screen has seen in the recent times.

In Rakesh Roshan 's science-fiction film Koi Mil Gaya , Rekha played Sonia Mehra, a single mother to a developmentally disabled young man, played by Hrithik Roshan.

The movie was a financial and critical success and became the most popular film of the year; it won the Filmfare Award for Best Film , among others.

In , Rekha guest starred in an item number in connection with the song "Kaisi Paheli Zindagani", in Pradeep Sarkar 's " Parineeta ".

In Bachke Rehna Re Baba , Rekha played a con woman who, along with her niece, uses one scheme to rob men of their property.

The film was a major critical failure. In a scathing review, Indu Mirani noted that "Rekha hams like she was never going to do another film.

Mil Gaya. In this superhero feature, the story moves 20 years forward and focuses on the character of Sonia's grandson Krishna played again by Hrithik Roshan , whom she has brought up single-handedly after the death of her son Rohit, and who turns out to have supernatural powers.

Krrish became the second-highest grossing picture of the year and, like its prequel, was declared a blockbuster. Ronnie Scheib from Variety noted her for bringing "depth to her role as the nurturing grandmother".

In , she once again portrayed a courtesan in Goutam Ghose 's Yatra. Unlike the initial success she experienced in playing such roles in the early stages of her career, this time the film failed to do well.

In , Rekha was awarded the Padma Shri , the 4th highest civilian award given by the Government of India. Rekha has also been nominated as a Rajya Sabha member.

She currently is the member of the Rajya Sabha May The film marked the debut of Shatrughan Sinha 's son Luv Sinha. The film failed to do well at the box office.

In , Rekha was working on Abhishek Kapoor 's Fitoor , but left the film due to unknown reasons and later Tabu was signed as her replacement.

In she also worked in Super Nani released on Diwali 24 October. Super Nani was a family drama, in which the grandmother Rekha is unappreciated by her children and husband, Randhir Kapoor.

Her grandson, Sharman Joshi convinces her to change. The grandmother 'transforms' herself into a glamorous model.

In , she appeared in R.

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Amitabh Bachchan & Rekha At Mukesh Ambani Ganpati Celebration 2019

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