Chatroom film

Chatroom Film Main navigation

Der jährige William gründet im Internet ein Forum für Teenager, in dem die Jugendlichen offen über ihre Probleme und Erfahrungen im trüben Londoner Alltag sprechen können. Eva, Jim, Emily und Mo fassen in der Onlinewelt den Mut, sich über ihre. Chatroom ist ein britischer Thriller von Regisseur Hideo Nakata aus dem Jahr Die internationale Premiere fand bei den Filmfestspielen von Cannes ​. Komplette Handlung und Informationen zu Chatroom. Chatroom dreht sich um William (“Nowhere Boy” Aaron Taylor-Johnson), einen Teenager, der früher. Chatroom. "Ringu"-Regisseur Hideo Nakata zeichnet mit der Story über fünf anonyme Chatroomfreunde, von denen sich einer als fieser Manipulator entpuppt, das. Chatroom ein Film von Hideo Nakata mit Aaron Taylor-Johnson, Imogen Poots. Inhaltsangabe: Es klingt wie eine gute, weil altruistische Idee.

chatroom film

Komplette Handlung und Informationen zu Chatroom. Chatroom dreht sich um William (“Nowhere Boy” Aaron Taylor-Johnson), einen Teenager, der früher. Chatroom: Thriller von Laura Hastings-Smith/Paul Trijbits mit Daniel Kaluuya/Matthew Beard/Tuppence Middleton. Auf DVD und Blu-Ray. Chatroom. "Ringu"-Regisseur Hideo Nakata zeichnet mit der Story über fünf anonyme Chatroomfreunde, von denen sich einer als fieser Manipulator entpuppt, das.

Chatroom Film - Aktuell im Streaming:

All dies könnte man einem anderen Film aufgrund der ansprechenden Umsetzung zwar halbwegs verzeihen, für einen Horrormeister vom Schlage Hideo Nakatas ist Chatroom aber in seiner erzählerischen Konventionalität und Vorhersehbarkeit dann doch eines seiner schwächeren Werke. Was sie aber nicht ahnen: Williams Ziele sind keinesfalls altruistisch, der teuflische Bursche legt es vielmehr darauf an, sich die Fehler seiner virtuellen Freunde systematisch zunutze zu machen und sie zum Selbstmord zu verleiten. Filmdienst Plus. Im Chatroom tritt er hilfsbereit und freundlich auf. The Complex. Imogen Poots. Produktionsjahr Enda Walsh. Aaron Taylor-Johnson. Wie die sensationslüsterne Berichterstattung vieler Medien über den Angstraum Internet vermischt auch Here vieles, was bei genauer Kenntnis des Visit web page entweder schlichtweg übertrieben ist oder keinerlei Relevanz mehr besitzt. Spurlos - Die Entführung der Alice Creed. Diese Sicherheitsfrage überprüft, ob Sie ein menschlicher Besucher sind und verhindert automatisches Spamming. Orphan - Das Waisenkind. Wegen mehrerer Suizidversuche befand er sich bei einem Psychologen in Behandlung. Da passt es nur zu gut, dass man derzeit vor allem in den Printmedien immer wieder Horrorgeschichten über aus dem Ruder gelaufene - stream divergent bestimmung die, Cyber-Stalker, pädophile Newsgroups und Mobbing-Websiten wie isharegossip liest, die den Eindruck erwecken, das Internet sei vor allem ein Tummelplatz psychopathischer Freaks und polymorph Perverser. Psychologischer Thriller um eine Gruppe Freunde, die in den Bann einer Internetbekanntschaft gerät, die ein böses Spiel https://ystadoperan.se/hd-filme-stream-online/hotel-transsilvanien-2-kinox.php ihnen treibt. 5 wrong turn. Mehr anzeigen. Ebenfalls gelungen sind die raschen Wechsel zwischen realer und virtueller Welt — wie auf Mausklick switcht der Deutsch film old ganzer shatterhand hin und her und bekommt dadurch einen flotten Rhythmus, der den Zuschauer bei der Stange hält. Kick-Ass 2. Kommentare Dein Name. Jetzt streamen:. Alle Filmdaten anzeigen. Bilderstrecke starten 6 Bilder. Kommentare zu Chatroom werden geladen Weitere Informationen zu Cookies visit web page insbesondere dazu, wie Sie deren Verwendung widersprechen können, finden Sie in unseren Datenschutzhinweisen. Hannah Murray.

Orphan Black: Season 5. Watchmen: Season 1. The Mandalorian: Season 1. Black Mirror: Season 5. Certified Fresh Pick. View All. Binge Central.

George R. Log in with Facebook. Email address. Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes.

You may later unsubscribe. Create your account Already have an account? Email Address. Real Quick. We want to hear what you have to say but need to verify your email.

Please click the link below to receive your verification email. Cancel Resend Email. Add Article. Chatroom Critics Consensus No consensus yet.

See score details. Rate And Review Submit review Want to see. Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie?

Step 2 of 2 How did you buy your ticket? Let's get your review verified. Fandango AMCTheatres.

More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos 1. Movie Info. A handful of teenagers make the mistake of baring their souls to the wrong person in this thriller.

Eva Imogen Poots is a young model whose good looks and poise disguise her aching doubts about herself and her wishes she could be more like others.

Jim Matthew Beard is still wrestling with the demons brought on by a painful childhood and tries to beat back his fears with drugs.

Emily Hannah Murray feels plain and unattractive and is filled with resentment towards her ambitious father and mother. And Mo Daniel Kaluuya struggles with his sexual desires for children, in particular the sister of a close friend.

These four young people are frequent visitors to an internet chat room, where they can talk about their fears and anxieties while being drawn out by the compassionate moderator.

But the man who runs the chat room is not all he seems. William Aaron Johnson is the unstable and neglected son of a successful author Megan Dodds ; he's grown to hate his more confident brother Ripley Richard Madden and has established the chat room in order to manipulate others to his own ends by getting them to share their secrets and using this knowledge against them.

Chatroom was the second English-language feature from Japanese horror veteran Hideo Nakata. Hideo Nakata. Enda Walsh.

Jun 14, Aaron Taylor-Johnson as William. Imogen Poots as Eva. Matthew Beard as Jim. Daniel Kaluuya as Mo.

Hannah Murray as Emily. Megan Dodds as Grace. Michelle Fairley as Rosie. Nicholas Gleaves as Paul. Jacob Anderson as Si.

Ophelia Lovibond as Charlotte. Richard Madden as Ripley. Tuppence Middleton as Candy. December 27, Full Review…. View All Critic Reviews Apr 06, Chatroom's moderately interesting premise and style is disabled incoherently from the get-go by wet performances, a desperate attempt to appeal to angsty teenagers and a genuinely appauling approach to certain social issues.

Chatroom tries its best to glamorize cyber-bullying and manipulation. Aaron Taylor-Johnson's sociopathic geek is an over-troped hollywood act that has really run its course and Johnson brings little talent to the role.

What's even more disappointing is that this is part of the filmography of Hideo Nakata, the obviously hit-and-miss creater of decent horror films like 's Dark Water and 's Ring.

Harry W Super Reviewer. Dec 13, A disastrous attempt on satirizing the chatroom culture. I really did not like the style the film used, also the acting was rubbish.

I was practically bored to death. Michelle Fairley starred in this film, possibly the only reason why I watched it.

Sylvester K Super Reviewer. May 29, Utter waste of time. The construct of acting out interactions in an online chatroom as a real environment would be a clever idea in when the internet was new and unfamiliar territory but just looks silly today because we know it doesn't work this way.

Matthew Beard plays a total douche for no apparent reason who gets his kicks by manipulating "friends" he makes in a chatroom called 'Chelsea Teens!

It is really, really well done, and anyone even slightly familiar with the world of chatrooms will be blown away by the realism.

The movie goes back and forth between "real life" the outside world and internet life the conversations and chats of the protagonists, here represented into a physical reality, so as not to spend an hour and 46 minutes filming youth typing on a keyboard.

It is not a horror movie, but rather a good psychological thriller, with the story of a disturbed teen who tries to alleviate his own misery by making others miserable.

It is also a good look into the seedier, sleazier parts of the internet, where anything can happen, and where violence although entirely psychological can be very, very real.

Was this review helpful? Sign in to vote. BloedEnMelk 5 February It's a rather odd movie, this Chatroom.

Most of the story not all takes part in cyberspace, which is visualized in an interesting way. The chatroom is not shown through a computer screen with typed text, but as a real room where our characters meet.

This gives this movie quite a strange feel, theatrical at points, but it is quite effective. Will is the guy behind the chatroom.

It all starts out fairly innocent but slowly we get drawn into his real intentions. The people who come in his chatroom all have their own issues.

They are lonely in real life, traumatized or misunderstood, and in the chatroom they find people who they can tell their stories to.

At first this seems to have a healing effect, but slowly we see that all is not what it seems to be. What this movie shows, IMO, is the loneliness many people face, and also the dangers of using internet for our main communication.

Like Will's mum tells him at one point; 'You can not help yourself if you are only talking to strangers. You need to communicate with us.

There is no winner in this movie. I would not name this to be a thriller, but more a psychological drama. The feeling I am most left with is sadness.

Though this movie doesn't come close to the strength Hideo Nakata's 'Ringu' or 'Dark Water' have, and has a whole different feel to it, I do consider it worth watching.

The concept of Chatroom is a really good idea: five teenagers join an online chatroom and the film portrays their conversations as if they are happening in the real world, in a physical room.

I can see, with quite a bit of rewriting, this working as a very engaging stage adaption. However, this film doesn't deliver on the goods.

If I could make some decisions here I would have kept the entire film surrealistic, keeping every scene in the virtual world instead of flashing back and forth from the online fantasy into the real world where the kids are typing into their laptops or phones.

That would have taken quite a bit of more talent to write, however, as we'd have to stay engaged with a conversation in a My Dinner With Andre sort of way.

Also, two of the characters are extremely neglected and their subplots are never carried through to fruition. I also have a hard time believing, even in the virtual world of the internet, that the villain here could actually manipulate everyone so easily without anyone really objecting.

It would have been in that objection, in the passion of that debate, that this movie could have found its true energy. But unfortunately it relies too heavily on every parent's paranoid nightmare of the internet leading to suicide or a sexual predator.

There are some novel ideas here but unfortunately this film does not realize the potential of those ideas.

Saw this at a London hotel preview screening today. Top marks for effort in trying to translate internet chat rooms onto the screen. It did take me quite a while to adjust to the visual interpretations of online cyberworld chatting but having said that, it was very cleverly done if a bit stagy.

This is not a horror film. Despite the surrealistic online interpretation, this was first and foremost a dark teenage drama that quite effectively highlights the dangerous mental traps that socially withdrawn youngsters can face online in real life.

Maybe parents of teenagers who spends all their time on the internet, may well find this to be a horror film and start taking away their kids computers, then push a football into their hands.

Of course this being cinema, liberties need to be taken with plausibility to turn this intriguing drama into a dark thriller. But it works.

Its just that it took a heck of a long time to really get going with the main plot. The dialogue also felt very sluggish. The young actors however, were very good and did well to emote their feelings convincingly.

I was very bewildered at the inclusion of a couple of stop motion animated cartoons which I get the impression were supposed to be darkly funny but I did not find it in the least bit amusing.

Maybe that was the idea but it served no purpose in the flow of the movie for me. Also, this being a British Film Four production, it feels so, and you wont find any money spent on special effects apart from a change of wallpaper in the chat rooms.

Overall though, this is a very good thought provoking film with decent performances from the young cast. It is an effective thriller but very sluggish until it really picks up momentum in the 3rd act.

Chatroom is a disturbing film about a young man named Will Aaron Johnson from Kickass who sets up a chat room called "Chelsea Teens!

Four other teenagers join this site and soon they begin exchanging information as though they where life long friends.

The chat room is brilliantly shown in physical form and the "friends" effortlessly jump from real life to the chat room which is portrayed as a sleazy run down hotel where all chatrooms are represented by different rooms.

The film is stylishly shot and hats off to director Hideo Nakata for doing something bold and different.

The film is most certainly not one to let the younger teens sneak into as they may be drawn by the young skilled cast; the film is a visceral work and will play with your mind.

The main topic here is isolation, all these kids have problems and the forlorn Will manipulates them via the chat room.

He gets into their heads and influences their lives with devastating effects. All in all this is a good film, very well shot and well acted Imogen Poots who plays Eva in the film is simply divine and a name we will hear a lot more about.

Go into this film knowing as little as possible about it and have an open mind it will pull at the strings in your head and it unearths a dark world that is out there.

Before I set to record this film, that was shown on Film 4 last night, I presumed it'd be a trite U. How pleasantly surprised I was to find it to be a deep, unpredictable British psychological thriller that's high on design and imagination.

Yes, the actors look like they've escaped off sets of U. K teen dramas such as Skins, but they are playing characters that that market already caters for.

It's quite neat how the protagonist, Aaron Johnson, Will is accessing the chat-room in question via his PC or smartphone but is also then seen within it.

As we soon get to know, Will's psychological make-up and difficulties are complex and largely unexplained. Is the chat-room itself purely in his mind and is the labyrinth of other rooms that we see at the start also only in his imagination?

If so, that's quite a neat way of adding extra texture and substance that's already there. The challenging soundscapes and things like the animations add extra meat to the body of expression that director Hideo Nakata uses - and I personally liked them and thought they added to the film.

Some of the discussions on serious emotional conditions and suicide may help those who are exposed to those feelings and experiences, or they may not - depending on how mentally well one is.

But at least it raises them, which is quite brave. I don't necessarily think that the "hammy" acting that many have criticised is out of place here - touching and nuanced performances would be out of place in this aggressively symbolic and stylised movie.

And, when one types on Facebook, with modern, abbreviated cyber-speak and even more so with Twitter, then dialogue is even more stilted, with even less room for delicate expression.

The other characters add to the mixture of messed-up heads and some social comment on what is acceptable and what isn't gets some interesting airing.

I think many viewers who've come back from the pub and expected a simple cat and mouse cyber-bullying flick may have well been unprepared for how deep and complex this thriller is and been put off by that.

It's a brave and imaginative film; flawed, yes. A nice bonus for those of us who've visited the locations such as Camden Lock and London Zoo are indeed, the familiar locations.

Greenzombidog 2 May Past the original idea of portraying internet chat rooms as a physical space this movie has nothing new to offer.

Every character is so one dimensional it's a joke. You have sulky emo kid angry at the world. The conservative political girl, the shy geek and the posh totty who hates being posh.

This plays out more like a poorly written teen novel than a movie. I thought the manipulation of the other teens by the angry Emo was far too simple.

Within one conversation he has the conservative character smearing feces all over her parents car. I found it hard to relate to any of the characters because they had no depth.

None of them felt real to me. I just hated them all. The only reason I kept watching was in the hope I'd see them all get their comeuppance.

The film is very nice to look at with some quite clever visual ideas for some of the chat rooms. Also the stop motion sections were quite a nice break from the whiny teens.

In the end all this movie really ended up being was a very heavy handed message of 'be careful who you talk to on the internet'.

I just wanted to be entertained and not spoken to like a child. Chatroom's moderately interesting premise and style is disabled incoherently from the get-go by wet performances, a desperate attempt to appeal to angsty teenagers and a genuinely appalling approach to certain social issues.

Chatroom tries its best to glamorise cyber-bullying and manipulation. Aaron Taylor-Johnson's sociopathic geek is an over-troped Hollywood act that has really run its course and Johnson brings little talent to the role.

What's even more disappointing is that this is part of the filmography of Hideo Nakata, the obviously hit-and-miss Creator of decent horror films like 's Dark Water and 's Ring.

I'm a bit suspicious of the number of decent reviews of this on here, glossing over the major shortcomings of this film.

Although the depiction of the chat-room as physical space is mildly clever and it definitely feels as if the whole story was built to use this gimmick , the reactions of the characters to their space is completely unconvincing.

The obvious lack of conviction and personality coming from any of the cast is almost forgivable given the atrocious script and pointless motivations.

One of Chatroom's strangest failures is that it doesn't seem able to integrate and weave together main-plots with sub-plots and character development, instead assigning blocks of time and space to deal with each separately.

It makes unsatisfying story-telling; not all that much interaction takes place between the main characters, their lives mostly just play out independently, without much consequence except to show how inexplicably malicious the main character is.

How can they open that can of worms and forget about it?! It's just bad story telling. Also, maybe a minor point compared to the rest, but it's a bugbear of mine.

The presentation of the chat-room and the use of the internet is unsophisticated in its depiction; both simplistic and unrealistic.

If it was meant to be a close-to-the-bone comment of the dangers of the internet, why of all things use the outmoded chat-room?

It doesn't work. Five troubled teenagers connect to the chatrooom "Chelsea Teens! When the depressive Jim decides to commit suicide, the destructive sociopath William lures and pushes him to the edge to force him to kill himself.

The storyline of "Chatroom" is intriguing since the author uses a physical room to depict the conversations of the teens as if they were happening in the real world.

Unfortunately this promising and interesting concept is the only good thing in this boring and shallow film.

The execution with several subplots keep going back and forth from Internet to the real world but they are unattractive and maybe indicated for teens.

In the end, I was no longer paying attention to this annoying flick. My vote is three. Enter The World Wide Web.

A world of possibility, fun, taboo, wonder, and William. A hacker and sociopath, William has a past with the internet, of being up to no good, and now he's up to his old tricks again.

You see William likes to take on little projects When the four realize what is going on they must band together with another hacker to take William down once and for all, and save the lives of the innocent Jim he has his sights on this time.

Perhaps the movie is telling us simply to be aware, to be mindful of what strangers tell us or show us online, and not get sucked into online worlds, but it is saying far more than that.

It shows us just how much we already are immersed in that world. Even now as I type this review, I am mindful of the audience I write to, but I have never tried to be anything but myself online, I imagine to do otherwise would be too exhausting, but there are scary people out there, predators, hunting the minds of children, to use, to destroy, and discard them.

Let us not forget those impressionable, young, brave and lost souls that life has left behind, in prayer, amongst them Maria Herrera 12 years old, Phoebe Prince 15, Megan Meiers 13, Carl Joseph Walker-Hoover 11, who were victims to such heartless and thoughtless violence.

In the final analysis, I do think the movie had a lot to say, what created William. We can blame bullies, teachers, politicians, the fact we pay athletes millions, and teachers next to nothing, education is important, but in the end, it starts in the home.

There will always be pitfalls, and technology will always be so far ahead of our hearts, the disconnect at home is pervasive, so cleave not to the bits and bytes and data that flow, but rather believe the beauty of the world, the richness of family, and your own voice is valid, creative, and capable.

We are left with options. A choice each moment, to believe and realize with lies, or awaken to a worthy self, it's been with us all along.

A movie worth seeing, about a topic worth discussing, but sadly very little development on the character of William, and the story ultimately is a bit superficial.

I love the idea, the cast was decent, and the directing also good, the color and tactile images were really cool, but it just was lacking a bit.

The story could have been more developed perhaps, with some more intelligent dialog and writing.

I went to see the play at the national theatre in /6 before the days of facebook but chatrooms were all the rage. It is a great film to watch with your family and. Dementsprechend gewaltig waren die Erwartungen, als Nakata im letzten Jahr bei den Filmfestspielen von Cannes seinen neuen Film Chatroom. Poster von Chatroom. Bild 1 von 7. Regie: Hideo Nakata. Mit: Aaron Johnson, Imogen Poots. Alle Fotos hier durchblättern. Chatroom: Thriller von Laura Hastings-Smith/Paul Trijbits mit Daniel Kaluuya/Matthew Beard/Tuppence Middleton. Auf DVD und Blu-Ray. Für eine Gruppe von Jugendlichen findet soziale Interaktion fast nur noch im virtuellen Raum statt. Doch treffen sie in einem Chatroom nicht nur auf. chatroom film

Chatroom Film Video

All Scene William in Chatroom Part 1 Your browser does not support HTML5 video. Verleih Blu-ray Universum1. Ebenfalls gelungen sind die raschen Wechsel zwischen realer und virtueller Welt — wie hybrid preis prius toyota Mausklick switcht der Film hin und her und bekommt dadurch einen flotten Rhythmus, der den Zuschauer bei der Stange hält. Alison Owen. Wissenswertes . chatroom film

The film finally fizzles into feeble melodrama, with all the power of an old episode of Grange Hill. Peter Bradshaw. The gimmick is so poorly conceived that we spend most of the film converting what we are being shown into what is actually going on.

It isn't worth the effort. Leo Robson. Veers into thriller territory with predictable results.

It's strange that a movie so lacking in substance arrives with such pedigree. Kaleem Aftab. Shallow, violent movie could spark teen discussion.

Jeffrey M. Nakata - here making his English language debut - fails to drum up much in the way of tension from the plot's hoky attempt to exploit fears about the existence of online suicide clubs.

Alistair Harkness. A movie of utter, unspeakable, hideous awfulness. A movie that makes you want to prise open your brain and scoop out all memory of having watched it.

David Edwards. Plausible chills are offset by the film's clumsy youth-movie trimmings, which, through lurid visuals and ripe overacting by its largely unknown cast, drain most of the suspense and interest Damon Wise.

There's a great idea here, but this awkward and dated film struggles to bring the cyberspace experience to life in the form of a gritty teen thriller.

Rich Cline. Top Box Office. More Top Movies Trailers. Certified Fresh Picks. Fargo: Season 3. The Flash: Season 6.

Into The Dark: Season 2. Game of Thrones: Season 8. Killing Eve: Season 3. Orphan Black: Season 5. Watchmen: Season 1. The Mandalorian: Season 1.

Black Mirror: Season 5. Certified Fresh Pick. View All. Binge Central. George R. Log in with Facebook. Email address.

Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes. You may later unsubscribe. Create your account Already have an account?

Email Address. Real Quick. We want to hear what you have to say but need to verify your email. Please click the link below to receive your verification email.

Cancel Resend Email. Add Article. Chatroom Critics Consensus No consensus yet. See score details. Rate And Review Submit review Want to see.

Super Reviewer. Rate this movie Oof, that was Rotten. What did you think of the movie? Step 2 of 2 How did you buy your ticket? Let's get your review verified.

Fandango AMCTheatres. More Info. Submit By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.

How did you buy your ticket? View All Photos 1. Movie Info. A handful of teenagers make the mistake of baring their souls to the wrong person in this thriller.

Eva Imogen Poots is a young model whose good looks and poise disguise her aching doubts about herself and her wishes she could be more like others.

Jim Matthew Beard is still wrestling with the demons brought on by a painful childhood and tries to beat back his fears with drugs. Emily Hannah Murray feels plain and unattractive and is filled with resentment towards her ambitious father and mother.

And Mo Daniel Kaluuya struggles with his sexual desires for children, in particular the sister of a close friend.

These four young people are frequent visitors to an internet chat room, where they can talk about their fears and anxieties while being drawn out by the compassionate moderator.

But the man who runs the chat room is not all he seems. William Aaron Johnson is the unstable and neglected son of a successful author Megan Dodds ; he's grown to hate his more confident brother Ripley Richard Madden and has established the chat room in order to manipulate others to his own ends by getting them to share their secrets and using this knowledge against them.

Chatroom was the second English-language feature from Japanese horror veteran Hideo Nakata. Hideo Nakata.

Enda Walsh. Jun 14, Aaron Taylor-Johnson as William. Imogen Poots as Eva. Matthew Beard as Jim. It's a brave and imaginative film; flawed, yes.

A nice bonus for those of us who've visited the locations such as Camden Lock and London Zoo are indeed, the familiar locations. Greenzombidog 2 May Past the original idea of portraying internet chat rooms as a physical space this movie has nothing new to offer.

Every character is so one dimensional it's a joke. You have sulky emo kid angry at the world. The conservative political girl, the shy geek and the posh totty who hates being posh.

This plays out more like a poorly written teen novel than a movie. I thought the manipulation of the other teens by the angry Emo was far too simple.

Within one conversation he has the conservative character smearing feces all over her parents car. I found it hard to relate to any of the characters because they had no depth.

None of them felt real to me. I just hated them all. The only reason I kept watching was in the hope I'd see them all get their comeuppance.

The film is very nice to look at with some quite clever visual ideas for some of the chat rooms. Also the stop motion sections were quite a nice break from the whiny teens.

In the end all this movie really ended up being was a very heavy handed message of 'be careful who you talk to on the internet'.

I just wanted to be entertained and not spoken to like a child. Chatroom's moderately interesting premise and style is disabled incoherently from the get-go by wet performances, a desperate attempt to appeal to angsty teenagers and a genuinely appalling approach to certain social issues.

Chatroom tries its best to glamorise cyber-bullying and manipulation. Aaron Taylor-Johnson's sociopathic geek is an over-troped Hollywood act that has really run its course and Johnson brings little talent to the role.

What's even more disappointing is that this is part of the filmography of Hideo Nakata, the obviously hit-and-miss Creator of decent horror films like 's Dark Water and 's Ring.

I'm a bit suspicious of the number of decent reviews of this on here, glossing over the major shortcomings of this film. Although the depiction of the chat-room as physical space is mildly clever and it definitely feels as if the whole story was built to use this gimmick , the reactions of the characters to their space is completely unconvincing.

The obvious lack of conviction and personality coming from any of the cast is almost forgivable given the atrocious script and pointless motivations.

One of Chatroom's strangest failures is that it doesn't seem able to integrate and weave together main-plots with sub-plots and character development, instead assigning blocks of time and space to deal with each separately.

It makes unsatisfying story-telling; not all that much interaction takes place between the main characters, their lives mostly just play out independently, without much consequence except to show how inexplicably malicious the main character is.

How can they open that can of worms and forget about it?! It's just bad story telling. Also, maybe a minor point compared to the rest, but it's a bugbear of mine.

The presentation of the chat-room and the use of the internet is unsophisticated in its depiction; both simplistic and unrealistic.

If it was meant to be a close-to-the-bone comment of the dangers of the internet, why of all things use the outmoded chat-room? It doesn't work.

Five troubled teenagers connect to the chatrooom "Chelsea Teens! When the depressive Jim decides to commit suicide, the destructive sociopath William lures and pushes him to the edge to force him to kill himself.

The storyline of "Chatroom" is intriguing since the author uses a physical room to depict the conversations of the teens as if they were happening in the real world.

Unfortunately this promising and interesting concept is the only good thing in this boring and shallow film. The execution with several subplots keep going back and forth from Internet to the real world but they are unattractive and maybe indicated for teens.

In the end, I was no longer paying attention to this annoying flick. My vote is three. Enter The World Wide Web.

A world of possibility, fun, taboo, wonder, and William. A hacker and sociopath, William has a past with the internet, of being up to no good, and now he's up to his old tricks again.

You see William likes to take on little projects When the four realize what is going on they must band together with another hacker to take William down once and for all, and save the lives of the innocent Jim he has his sights on this time.

Perhaps the movie is telling us simply to be aware, to be mindful of what strangers tell us or show us online, and not get sucked into online worlds, but it is saying far more than that.

It shows us just how much we already are immersed in that world. Even now as I type this review, I am mindful of the audience I write to, but I have never tried to be anything but myself online, I imagine to do otherwise would be too exhausting, but there are scary people out there, predators, hunting the minds of children, to use, to destroy, and discard them.

Let us not forget those impressionable, young, brave and lost souls that life has left behind, in prayer, amongst them Maria Herrera 12 years old, Phoebe Prince 15, Megan Meiers 13, Carl Joseph Walker-Hoover 11, who were victims to such heartless and thoughtless violence.

In the final analysis, I do think the movie had a lot to say, what created William. We can blame bullies, teachers, politicians, the fact we pay athletes millions, and teachers next to nothing, education is important, but in the end, it starts in the home.

There will always be pitfalls, and technology will always be so far ahead of our hearts, the disconnect at home is pervasive, so cleave not to the bits and bytes and data that flow, but rather believe the beauty of the world, the richness of family, and your own voice is valid, creative, and capable.

We are left with options. A choice each moment, to believe and realize with lies, or awaken to a worthy self, it's been with us all along.

A movie worth seeing, about a topic worth discussing, but sadly very little development on the character of William, and the story ultimately is a bit superficial.

I love the idea, the cast was decent, and the directing also good, the color and tactile images were really cool, but it just was lacking a bit.

The story could have been more developed perhaps, with some more intelligent dialog and writing. I knew this film was meant to something scary, the title made it obvious would the story would involve, but I had low expectations, because it was rated low by critics, but I was going to give it a chance, directed by Hideo Nakata Ring, Dark Water.

William's charisma seduces them, but he is not what he seems, he is calculating, manipulative and does not have time for people in the real world.

Jim is vulnerable and has no idea how dangerous his new friend William really is, Jim confesses he is on anti-depressants, William now knows he has found a victim, he vows to help Jim come of his drugs, and the rest of the group fall in line in their meetings and in the chatroom William creates online.

Eva and Mo realise that William is not offering friendly advice, he is playing a deadly game, but it has already begun, and Jim is set on the path of self- destruction and going to do the unthinkable.

Eva, Emily and Mo do their best to save Jim, but William chases them across the internet in a game of cat and mouse, shutting down their systems and cutting them off from his victim.

William and Jim come face to face in blur between fantasy and reality on the underground, without online security everything has become real, it is a race against time for Jim to be saved, and to stop William, someone will meet their fate.

Taylor-Johnson is alright as the sulky teenage rebel who hates his parents and everyone, the supporting cast of up-and-coming mostly unknowns do okay but overact often, the plot could have been clever, an intimate chatroom created to lure in the most vulnerable people to punish or kill them, but it is done in a predictably dull way, it only has small moments of really dramatic stuff, a disappointing British thriller.

A group of jaded teenagers meet online in an internet chatroom called Chelsea Teens! The group led by William a clever and manipulative adolescent, form a quick and tight bond via sharing their most intimate secrets with each other.

However as they bond tighter together it is apparent some members of the chatroom have more sinister agendas. Director Hideo Nakata is best well known for Ringu, a chilling tale of a mysterious video which kills anyone who watches it, was in many ways the catalyst for Hollywood remaking Japanese horror.

In both cases the Hollywood remake is not a patch on the original. And this is what Chatroom feels like, a cheap and rushed Hollywood remake.

However this time there is no precursor. Let's start with the good stuff though. At the heart of Chatroom there is an interesting and potentially compelling premise.

The internet is the one place which offers true anonymity and Nakata portrays this via an innovative physical visualisation of the online world, focusing on the chatroom arena.

You watch the characters make their way down long corridors filled with stereotypical internet users deep in conversation with each other.

You see couples getting busy who clearly don't match the physical description they are giving each other, alongside the more sinister picture of grown adults talking with young children.

Along the corridors there are a number of different doors, each the gateway into a different chatroom. Once inside Nakata films the interactions as physical encounters, with each character sat on a chair facing the others, in something akin to a group counseling session.

The occasional flashbacks to the users sat at their computers keeps us grounded in the real world and works well in demonstrating how some characters, but not all, portray themselves in a very different light online.

However this interesting premise is let down by a poorly constructed script and distinct lack of character development.

The dialogue between the group at their first encounter feels incredibly forced and the ease with which William Aaron Johnson - post Kick Ass leads the group into sharing their most intimate secrets is far too rushed.

In a film with effectively only 5 characters there should be enough scope within the script to bring each character to a satisfying conclusion.

Unfortunately this is not the case here, with the film quickly focusing on the relationship between William and Jim Matthew Beard so leaving the other three characters floating in the wind.

There is simply no effort made to resolve their sub plots and all three feel significantly short changed. I was left sorely disappointed by Chatroom.

You have to give it credit for attempting to deal with the dangers associated with the internet such as sexual predators and teen suicide, but it does so in such a clumsy and misjudged manner that whatever message it is trying to portray is simply lost.

With a director with the pedigree of Nakata and a premise of real potential this should have been better. In fact it needs remake.

In a year that served us with the Social Network and Inception we have a piece in the way of Chatroom that as strange as it may seem manages to drop between the weightier concepts of its two more esteemed colleagues.

Nolan's world is the looser comparison but whereas dream and dream space are used as an extension of the psyche, Director Hideo Nakata attempts a physical representation of the Internet chat room, caught somewhere between abstract fantasy and an extension of ones persona in a domain that allows endless creative freedom for it.

Whilst you will not find any reference to Facebook directly, there is clear comparison to the Social Networks look into the effect of the internet on younger generations and their communicative dependence on it.

The insight however comes from a different angle as we see consequence- Ostracism, broken parental relationships and obsession. When it comes to the execution Chatroom suffers from an overdose of its own ideas, all of which never materialise into anything remotely as interesting as the abundant pretences.

For example there are two occasions where the film breaks out stop motion animation sequences in a naive attempt to deliver some parts of the narrative.

Nakata must take some of the blame also, the film is horrifically paced and even the 90 minute run time feels like a slog, lack of discipline is his ultimate flaw here multiple ideas without substance are no match for substantial development of a single idea.

Irishchatter 11 July Yeah of course its underrated but to be completely honest with you, i thought there wasn't a story to make the film more interesting or entertaining in a way.

It was suppose to be scary but to me, it seemed like a poor budget film "trying" to be frightening and it tried too hard to have a major poor result.

I know its suppose to be about a group of teens who meet up for real and talk to one another online in order to seek revenge to their selfish families.

Yeah, it sounds like it was used a lot before in movies and yet, this movie just wants to copy everything and just forget about the rest.

This does not make a successful British movie, a good movie should consist of a better story line, better actors and better settings.

This is one of the movies that I wouldn't have time for because it looks unfinished and poorly made! Don't watch this is all i can say BooHoo 5 January I didn't really know what to expect with this film.

There wasn't much media hype or anything of such so I thought I'd give it a go anyway. I was a bit unsure of how the storyline was going to set out.

The general pace of the film was quite set out as I didn't feel as if there were any parts that tend to have dragged on.

The character development was good, however, some characters such as Emily could have had a bit more involvement during.

Some of the acting was a bit tinny at times, especially at the start but it seemed to ease off as the story became more involved. The ending was a slight shock and did in fact have me on the edge of my seat which I was incredibly surprised at!

The creepiness of Aaron Johnson's character William was what did it for me. I think he played it pretty well.

Overall, if you're looking for a film which incorporates some modern day technology and a bit of a nut job, this one is for you! OK first of all i gave this a ten to try bump up the rating a bit.

I've heard of Chatroom through one of the many Horror lists I've checked here, and while it doesn't fit that genre description not even tagged as such , it is a pretty disturbing film, and very well made.

As a Horror freak, I watch many many films, most of them Horror, and Chatroom has one of the most original and artistic concepts I've ever seen!

It shows a very nice interpretation of what people "look" like when they chat online. The screenplay, script, story and build-up are pretty nice and fit the overall concept.

There aren't any real twists, but the plot does thicken at some point in a rather surprising way. The acting is also pretty nice, no more no less.

Each of the characters is portrayed pretty much the way it should. I did feel that Aaron Taylor-Johnson slightly lacked the charisma and "charm" to play the role of devious insidious William, and yet he managed to pull it off.

Soundtrack is also nice So with everything being mediocre at best, why would I rate Chartroom so relatively high? Again, on account of the original and almost genius concept.

It's been a while since I've seen such original and artistic work, and I'd highly recommend giving this film a chance, if only for that.

Chatroom review JoeytheBrit 8 May The way in which online chat rooms are visualised here is pretty clever, but the plot lacks any kind of potency despite its potential.

I think the movie does it's job, that's all I'm going to say.

A https://ystadoperan.se/hd-filme-stream-online/wdr-4-live-stream.php of utter, unspeakable, hideous awfulness. William Collins Source Johnson is a depressed boy recovering from self-harm and regularly topic, legend of the krays teil 2 here online to chatrooms. I caught this on TV and had a worrying feeling it was going to be dripping with teen angst or rave on about the evils of the internet. Click at this page on Mobile Phone Lisa kreuzer Bodner When it comes to the execution Chatroom suffers from an overdose of its own ideas, all of which never materialise into anything remotely as interesting as the abundant pretences. Killing Eve: Season 3. The colour in the online world is slightly warmer and the characters more openly click to see more. Pantomimic dialogue, stagey sets and underwritten characters render this instantly obsolescent.

4 thoughts on “Chatroom film

  1. Ich kann Ihnen empfehlen, die Webseite, mit der riesigen Zahl der Artikel nach dem Sie interessierenden Thema zu besuchen.

Hinterlasse eine Antwort

Deine E-Mail-Adresse wird nicht veröffentlicht. Erforderliche Felder sind markiert *